Adriana Méndez Rodenas

Adriana Méndez Rodenas
Professor of Spanish, Director of Afro-Romance Institute
318/318A Arts & Science Building
573-882-4372
Office Hours: 

For Fall 2017:  By appointment.

PDF Documents: 
Transatlantic Travels in Nineteenth-Century Latin America: European Women Pilgrims.

Transatlantic Travels in Nineteenth-Century Latin America: European Women Pilgrims. Bucknell University Press: 2013.

Cuba en su imagen-Historia e identidad en la literatura cubana

Cuba en su imagen-Historia e identidad en la literatura cubana. Madrid: Editorial Verbum, 2012.

Viaje a la Habana.

Mercedes Merlin, Viaje a la Habana. Doral: StockCero Ediciones: 2009.

Les esclaves dans les colonies espagnoles.

La Comtesse Merlin, Les esclaves dans les colonies espagnoles. Paris: Éditions l'Harmattan, 2005.

Gender and Nationalism in Colonial Cuba-The Travels of Santa Cruz y Montalvo, Condesa de Merlin

Gender and Nationalism in Colonial Cuba-The Travels of Santa Cruz y Montalvo, Condesa de Merlin. Nashville: Vanderbilt U Press, 1998.

En dos tiempos: El viaje de Fredrika Bremer como alegoría de la nación

"En dos tiempos: El viaje de Fredrika Bremer como alegoría de la nación." Cuba: Un siglo de literatura (1902-2002). Edited by Anke Birkenmaier and Roberto González Echevarría. Madrid: Editorial Colibrí, 2004.

Identity and Diaspora: Cuban Culture at the Cross-roads

"Identity and Diaspora: Cuban Culture at the Cross-roads." Cuba-Idea of a Nation Displaced. Edited by Andrea O'Reilly Herrera. Albany: SUNY Press: 2007.

Engendering the Nation: The Mother/Daughter Plot in Cuban American Fiction.

"Engendering the Nation: The Mother/Daughter Plot in Cuban American Fiction." Cuban American Literature and Art--Negotiating Identities. Edited by Isabel Alvarez Borland and Lynnette M.F. Bosch. Albany: SUNY Press, 2009.

El archivo perdido: las memorias de Mercedes Merlin y el arte la fuga

"El archivo perdido: las memorias de Mercedes Merlin y el arte la fuga." Retomando la palabra. Las pioneras del XIX en diálogo con la crítica contemporánea. Edited by Claire Emilie Martin and María Nelly Goswitz. Madrid: Editorial Iberoamericana/Vervuert, 2012

Sensibilidad romántica, nacionalismo incipiente: el viaje iniciático de Mercedes Merlin

"Sensibilidad romántica, nacionalismo incipiente: el viaje iniciático de Mercedes Merlin." Voyageurs français dans les Amériques, edited by Ernesto Mächler Tobar. Amiens: Indigo Press/Université de Picardie Jules Verne, 2012.

"Sab," "Nineteenth-Century Costumbrismo

"Sab," "Nineteenth-Century Costumbrismo," "Juan Francisco Manzano." In Cuba—People, Culture, History, edited by Alan West Durán. New York: Gale, Cengage Learning, 2012.

El abolicionismo transnacional cubano: los relatos antiesclavistas de Félix Tanco y ‘el tiempo de la nación

 "El abolicionismo transnacional cubano: los relatos antiesclavistas de Félix Tanco y ‘el tiempo de la nación.’" Cuba y el Caribe : Raza, diáspora, e identidad cultural. América Sin Nombre (Universidad de Alicante), no. 19 (December 2014), 61-72

Women Travelers in Latin America

 Review #84—Literature and Arts of the Americas. “Women Travelers in Latin America.”

Education: 

PhD, Romance Studies, Cornell University, 1979.
Areas: 19th and 20th Century Caribbean and Latin American literatures; transatlantic studies; travel writing; comparative literature; spatial humanities.

Bio: 

Born in Havana, Adriana Méndez Rodenas has recently joined the Romance Languages & Literatures faculty as Professor of Spanish and Director of the Afro-Romance Institute.   She has published extensively on the literatures of the African diaspora in Cuba in major peer-reviewed journals and interdisciplinary anthologies. Her seminal essays on anti-slavery narrative have appeared in Cuban Studies, the compendium Cuba—People, Culture, History, edited by Alan West Durán (2012), and América Sin Nombre, the research journal of the Universidad de Alicante, in a special issue dedicated to Cuba y el Caribe : Raza, diáspora, e identidad cultural (2014).

Professor Méndez Rodenas is a specialist in nineteenth-century Cuba.  Her book, Gender and Nationalism in Colonial Cuba: The Travels of Santa Cruz y Montalvo, Condesa de Merlin (Vanderbilt University Press, 1998), recuperates a pivotal figure in nineteenth-century Cuban letters.  She has edited la Comtesse Merlin’s Les esclaves dans les colonies espagnoles (Paris: Editions l’Harmattan, 2005), a collection documenting the slavery debate in Cuba, with a prologue translated by Associate Professor Mamadou Badiane, and Viaje a la Habana (Doral: StockCero Ediciones, 2009), one of the most riveting of nineteenth-century travel accounts.  Her essay, “Picturing Cuba: Romantic Ecology in Gertrudis Gómez de Avellaneda’s Sab (1841),” a study of how race, romance, and ecology combine to depict the sugar plantation in a classic and much beloved novel, appeared in Gender and the Politics of Literature: Gertrudis Gómez de Avellaneda, vol. 18 of Hispanic Issues Online (2017): 153-172: https:cla.umn.edu/Hispanic-issues/online.

Her book, Cuba en su imagen—Historia e identidad en la literatura cubana (Madrid: Editorial Verbum, 2002), gathers her essays on 19th and 20th century Cuban literature.  She co-edited “Desafíos de la literatura cubana,” the latest issue of Iowa literaria, a digital journal dedicated to creative writing in Spanish. In the area of Latino/a studies, her essays on Cuban American literature have appeared in two interdisciplinary anthologies: Negotiating Identities in Art and Literature: Cuban Americans and American Culture (2009) and Cuba—Idea of a Nation Displaced (2007).

Professor Méndez Rodenas has written extensively on travel writing, transatlantic studies, and gender. Her book,  Transatlantic Travels to Nineteenth Century Latin America: European Women Pilgrims (Bucknell University Press: 2014), came to light with the support of an NEH Fellowship for University Teachers (2002-03). She edited “Women Travelers to Latin America,” Review #84—Literature and the Arts of the Americas (2012), an issue which retrives the lost archive of female travel writing to the Americas in both scholarly essay and fiction.  She is a member of the Executive Board of  ELADD: Escritoras latinoamericanas del diecinueve, http://www.eladd.org/. a digital journal housed at California State University.

At Mizzou she is researching In Black and White: Fredrika Bremer’s Transamerican Sketches, a book on a nineteenth-century Swedish traveler,  novelist, and pioneer feminist whose ethnographic studies of African rituals and dances ushered a comparative view of slave societies in the American South and Cuba. Started while a Fulbright Distinguished Chair of American Studies at Uppsala University in Sweden (2008-09), the book is progressing through various articles, including“’Picturing Eden:’ Contesting Fredrika Bremer’s Tropics,” in Contesting Environmental Imaginaries: Nature and Counter- Nature in a Time of Global Change, edited by Steven Hartman (Brill/Rodopi: 2017). She was invited to join the Editorial Board of Karib—Nordic Journal for Caribbean Studies, a new, online forum jointly edited by the University of Bergen and Uppsala University.

Currently she is engaged in an ecocritical study of the Caribbean across periods and genres titled From Paradise to Diaspora: Natural History in the Americas. Started while a 2012 research fellow at the Notre Dame Institute of Advanced Study, the project gained momentum during an interdisciplinary 2014 NEH Summer Institute on “Mapping Nature Across the Americas” held at the Newberry Library in Chicago.